美国新罕布什尔代写:解构主义建筑

Keywords:美国新罕布什尔代写:解构主义建筑

此外，解构主义建筑被认为是人类感官上的一种有意攻击，使用某些机制来表达不适和焦虑。更具体地说，Nikos Salingaros将德里达哲学称为“病毒”，它侵入设计思维，以构建被破坏的形式。他进一步声称，这是对逻辑的攻击，它不会产生逻辑语句。根据他的观点，解构主义建筑本身是什么;这意味着结构、传统信仰、逻辑陈述和观察的瓦解，很容易与病毒生存和扩散的方式相似。尤其是在解构主义者坚持认为他们只是在分析和评论文本的地方，这种情况就会发生。在感染当代建筑的过程中，这种病毒攻击了一种形式的内部组织和连贯性，使形式表现出无序的复杂性。他谴责解构主义建筑哲学和理念的一个例子是弗兰克盖里(Frank Gehry)在西班牙毕尔巴鄂的古根海姆博物馆(Guggenheim Museum)。在他看来，这种前卫的风格代表了一种不自然的强加，自由流动的丝带形式包裹在一个连续的，闪亮的金属皮肤。它还消除了所有可能导致一致性的因素。
美国新罕布什尔代写:解构主义建筑
Moreover, Deconstructivist Architecture has been seen as an intentional aggression on human senses, using certain mechanisms in order to express discomfort and anxiety. More specifically, Nikos Salingaros, calls the Derrida philosophy a ‘virus’, that invades the design thinking in order to construct destroyed forms. He further claims that it is an attack on logic, which does not produce logical statements. According to his views, what deconstructivist architecture itself is; meaning the dismantling of structures, traditional beliefs, logical statements and observations, it can easily resemble to the way in which a virus survives and proliferates. This occurs especially where deconstructivists insist on arguing that they are merely analysing and commenting on text. In infecting contemporary architecture, this virus attacks a form’s internal organisation and coherence, leaving forms embodying disorganized complexity. One example of a building with which he condemns the philosophy and idea of deconstructivist architecture is the Guggenheim Museum in Bilbao, Spain by Frank Gehry. In his opinion, this vanguard style represents an unnatural imposition of free-flowing ribbon forms sheathed in a continuous, shiny metal skin. It also eliminates all components that would otherwise lead to coherence.